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The little bundles emerge from stage right, usually (but not always) in the arms of an obstetrician. Four are wrapped in blue blankets, one in pink. One is tossed in from offstage. All five land on the ground with an amplified thud. All but one is a corpse. Christopher Durang had broached the subject of dead babies before his 1985 pitch-black comedy "The Marriage of Bette and Boo," now receiving ...